Yasmine Shemesh
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Vancity Calling: How Rascalz Made History
PUP Unravel, Rebuild, and Bark Back
Adam Duritz is Still Looking for Meaning—And Finding it in Music
The Radical Self-Empowerment of Shania Twain
The Heavy Soul of Neil Young’s Harvest
The Light, Spirit and Soul of Santana’s ‘Shaman’ Album, 20 Years Later
‘Glee’ at 25: How Bran Van 3000’s Eclectic Debut Became a Timeless “Canadian Folk Record”
Sum 41’s Deryck Whibley on ‘All Killer No Filler’ at 20: ‘For the Longest Time, I Thought It Wasn’t Very Good’
Welcome To The Tragic Kingdom: No Doubt’s Masterpiece Turns 25
Wet Leg are Making a Splash
Aaliyah Still Sounds Like The Future
Bif Naked is Back on Stage, But Her Mission Never Stopped
Billy Talent Keeps the Faith
35 years later,
The Lost Boys
’ “Cry Little Sister” is still a gothic epic
The Princess Diaries Soundtrack Captured Teen Pop’s Golden Age
Tegan and Sara Catch Their Breath
Rachel Bilson Revisits ‘The O.C.’ & Summer Roberts: “I Feel Proud of Her”
The Power of Céline Dion and how Falling into You Changed Pop Music Forever
How ‘Dawson’s Creek’ Became a Treasure Trove of Canadian Music
J.Lo at 20: Celebrating The Album That Made Jennifer Lopez An Icon
At 58, Jann Arden Finds Liberation in Loss, Failure, and Aging
R.L. Stine Explains Why the ‘Goosebumps’ TV Show Was Unforgettable
‘Bring It On’ at 20: Blaque Reflect on Playing Clovers With Gabrielle Union
You Can Try to Resist: An Oral History of “Can’t Fight the Moonlight”
‘This Time Around’ at 20: Hanson Explain How Their Sophomore LP Charted the Course For Their Adult Years
Finding the Light: David Crosby on His New Album and Choosing Happiness
Violent Femmes’ Healed Blisters Make Way for a Valiant Return
The Zombies Reflect on the 50th Anniversary of Odessey and Oracle
Nardwuar the Human Serviette Reflects on 30 Years of Campus Radio
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